Category Archives: Obituary

The Weird and Wonderful World of Richard Matheson

The writer Richard Matheson was born to Norwegian immigrant parents in New Jersey on February 20th, 1926. He had his first story published when he was eight years old. After graduating from high school, he joined the army, serving in the US infantry with the 87th Division in France and Germany during World War II. His experiences of warfare formed the basis of his 1960 novel “The Beardless Warriors.”

After the war, he studied journalism at the University of Missouri and moved to California. Summer 1950 saw Matheson make his first real mark as a writer when his short story “Born of Man and Woman” was published in the Magazine of Fantasy and Science Fiction and drew attention. It had the kind of frightening science fiction themes that became Matheson’s trademark and was the first of dozens of short stories he would publish over the next two decades.

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“I Am Legend” from 1954 was his first published novel and is probably his masterpiece (it was voted the best vampire novel of the 20th century by the Horror Writers Association in 2012) A daring deconstruction of the vampire legend, it flips the whole narrative on its head by making the last man alive the destructive predator that vampires fear and despise as he systematically wipes them out by day following a futuristic plague.

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It was adapted for film as “The Last Man on Earth” with Vincent Price in 1964, again as “The Omega Man” in 1971 with Charlton Heston and, more recently, in 2007 with Will Smith.

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The book may have been about vampires but its main theme was loneliness and there are few better books about that subject. As the main character Neville is alone most of the time, it’s a difficult story to write but Matheson does a great job of keeping the reader engaged with his solitary hero in his nightmare world. “I Am Legend” also served as the direct inspiration for classic zombie movie “Night of the Living Dead”, giving birth to a whole new genre of film, almost as if the vampire pandemic gave birth to zombies.

He was also a successful television writer, penning episodes of “The Alfred Hitchcock Hour” and “Star Trek” as well as numerous western shows.

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His 1956 novel “The Shrinking Man” (filmed in 1957 as “The Incredible Shrinking Man”, which Matheson also wrote the screenplay for) has been ripped off by everything from “Honey, I Shrunk The Kids” to last year’s “Ant Man.” It had its New York premiere 60 years ago this week in February 1957. In 2009, “The Incredible Shrinking Man” was placed in the National Film Registry by the Library of Congress, this accolade is only given to films that are “aesthetically, historically or culturally significant.”

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“The Twilight Zone” seemed made for Matheson and another famous story of his, “Nightmare at 20,000 Feet”, was filmed for the show among others. It concerned a nervous flyer (played by William Shatner in the 1963 TV show and John Lithgow in the Twilight Zone movie twenty years later) who is convinced a demon is smashing up the wing of the passenger plane he is on during a vicious thunderstorm. No one believes him, even when he saves the lives of everyone on board by trying to kill the creature and forcing it to flee.

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The Simpsons did a parody of this story in one of their Halloween specials where Bart Simpson sees a demon dismantling the wheels of the school bus he’s on. Demonstrating how his stories are so ingrained now in popular culture.

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In 1968, he adapted Dennis Wheatley’s novel “The Devil Rides Out” for Britain’s Hammer Horror films. It is one of the best British horror movies ever made and features Christopher Lee in one of his finest roles as a man battling the forces of darkness.

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His nerve-shredding TV movie script for “Duel” became Steven Spielberg’s first film in 1971.

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Other Matheson novels made into films include “Bid Time Return” which became “Somewhere in Time” starring Christopher Reeve and Jane Seymour (arguably a big influence on “Back To The Future” and “The Terminator”), “What Dreams May Come” with Robin Williams, “Stir of Echoes”, a supernatural horror film starring Kevin Bacon and “Real Steel”, a sci-fi action movie about fighting robots with Hugh Jackman.

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He once said: “I wrote about real people and real circumstances and real neighbourhoods. There was no crypt or castles or H.P. Lovecraft-type environments. They were just about normal people who had something bizarre happening to them in the neighbourhood. I could never write about strange kingdoms. I could never do Harry Potter or anything like that.”

Assessing his career, he said: “I think ‘What Dreams May Come’ is the most important (read effective) book I’ve written. It has caused a number of readers to lose their fear of death, the finest tribute any writer could receive. … Somewhere In Time is my favourite novel.”

His daughter and two sons also became writers.

Richard Matheson died in June 2013. He left behind a significant body of work including dozens of novels, short stories, TV show scripts, TV movies and movies both adapted by him from his own work and adapted by others. Writer Ray Bradbury called him “one of the most important writers of the 20th century.” While Stephen King claimed Matheson was the writer who had influenced him the most. Another writer called Harlan Ellison praised his “supernova lifetime of writing mentioned in the same breath with Poe and Borges.” That is about as good as it gets.

I’ll leave the final word to Mr Matheson: “I hope people are reading my work in the future. I hope I have done more than frightened a couple of generations. I hope I’ve inspired a few people one way or another.” You certainly have, sir, you certainly have.

(“The Vorbing”, my vampire novel inspired by Richard Matheson’s “I Am Legend” is available here)
© Stewart Stafford, 2017. All rights reserved.

2016: George Michael’s Last Christmas

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George Michael died in his sleep on Christmas Day 2016 of suspected heart failure. I always associated him with Christmas because of his classic 1984 hit Last Christmas (written, produced and recorded by him when he was 21 years old, amazing) and to a lesser extent with December Song (I Dreamed of Christmas), one of his last releases in 2009. Now the anniversary of his death will always be December 25th, tying him to the festive season permanently and in a much bigger way.

So many of the 80s generation of stars I grew up listening to are gone now; George, Michael Jackson, Prince and Whitney Houston. And so many musicians have died this year including the great David Bowie (the first anniversary of his passing is in a fortnight), Prince, Rick Parfitt of Status Quo earlier this week (who sang on the Band Aid record with George) and now poor old George Michael is added to that tragic list.

The body of work of stars like those become the yardstick by which we measure our lives. Hearing a hit of theirs immediately transports you back to an earlier time in your life. George Michael had a 34-year career, but his legacy was really assured after about two decades. He was controversial, getting into legal battles with his record company, releasing songs like ‘I Want Your Sex’ in the era of the AIDS epidemic, being arrested for lewd conduct in a toilet in California, a string of car crashes, one of which lead to him spending time in jail and a series of health scares including an emergency tracheotomy to save his life when he got pneumonia on tour in Austria.

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Last Christmas is a classic for me as it captures the bittersweet feeling of the festive season. I’ve had Christmases of great joy and extreme sadness in my life. You just approach each one thinking ‘let’s hope it’s a good one’ like John Lennon cautiously wrote and sang in his Christmas song, ‘Happy Xmas (War Is Over).’ The song ‘Last Christmas’; and its memorable snowy video, deals with the trials and tribulations of young love and all the heartache and happiness that’s a part of it. It’s not automatically happy clappy, there’s a sadness there that echoes George’s own life.

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I’ve heard ‘Last Christmas’ four times in the past few days before news of George’s death was reported. The pilot of a plane I was a passenger on played it on the plane’s sound system as we landed in London, I heard it again half an hour later in Heathrow airport itself and twice more on a CD in a car I was travelling in, including Christmas Day 2016, just hours before his death. Little did I know its creator was about to leave us. There have been over 395 cover versions of Last Christmas and, no doubt, that will only grow and grow in the wake of George’s death.

George remembered Christmas as a child: ”I do love Christmas. I always have loved it, ever since I was a child. When I was young both my parents used to work so hard and they always seemed quite stressed to me. But at Christmas everyone would calm down and be nice to each other for a few days, and that used to make me feel very safe. It’s Frank Sinatra who reminds me of Christmas. During the school holidays, when I was a kid, I used to work behind the bar of my dad’s restaurant in Edgware [North London], and he’d always play Sinatra records for the customers. So that association is very strong for me. Why doesn’t it snow at the right time anymore, like it did in the ’60s? If it could snow on Christmas Eve or something that would be perfect.”

George nearly died of pneumonia at Christmas 2011 and he recalled how much he appreciated things that year: ”Best Christmas I can remember, surrounded by the people I love. And knowing that Christmas could have been very different this year for everyone at that table. As it was we stuffed and laughed ourselves silly. I’m such a lucky man! I hope you all had a great one.”

Sadly, he didn’t survive Christmas 2016.

I was lucky enough to see George in concert twice in Dublin within six months on his 25 Live tour. The first one in what’s now called the 3Arena was my favourite. He hadn’t toured extensively and his voice was still in great condition. At one stage, all the girls in the audience screamed simultaneously and a soundwave went right through my head, rocking me a bit. It was a little taste of what Beatlemania must have been like with that wall of screams filling the concert venue. The second gig was outdoors at Dublin’s RDS in the showjumping arena where I’d seen Prince fifteen years before (everyone I see in concert seems to die, I might bar myself from future shows to save lives.)

We need our musicians, the way we need all creative people to try and make sense of our lives and the world around us through their work. When they die, part of us dies with them. George Michael really was a genius. He was a huge fan of Queen and sang with them at the Freddie Mercury Tribute Concert, but he achieved what they did alone. There were four songwriters, producers and musicians in Queen. So George is more like Bowie in that respect, but George was producing his own songs by himself from his early 20s, whereas Bowie always had a co-producer helping him, so George’s achievements are even more impressive in light of that.

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Wham! were even starting to enjoy an ironic mini-comeback thanks to the year’s big hit movie Deadpool where the hero keeps mentioning them to comic effect throughout the movie. Sad that he won’t get the chance to take advantage of that as there are some great songs there. Predictably though, there will be an inevitable huge surge in sales of George Michael and Wham! songs in the coming days, weeks and months.

I was going to bed on Christmas night and checked my messages to see if British Airways had traced my missing luggage for my wedding (they haven’t!). That’s when I saw George had died and my heart sank. Then I reminded myself of his self-destructive nature and that we were lucky to have had him as long as we did. In this age of karaoke X-Factor wannabes stealing their 15 minutes of fame by parroting old songs, he was a true original. We really will never see another like him. Rest in peace, George.

© Stewart Stafford, 2016. All rights reserved

Capital Punishment: The Ghosts of Death Sentences Passed

The death penalty question has been dragged kicking and screaming into the headlines again this week after the execution of a man in Alabama who appeared to be still conscious during his execution. It was reported that he “coughed” “heaved” and clenched his fists as the authorities began administering lethal injections to end his life. He had been convicted of the murder of a man during a robbery in 1994. The jury gave him a life sentence which was overruled by the judge who imposed the death penalty as judges in Alabama are allowed to do. The execution has prompted 101 lawyers and legal professors in Alabama to call for the removal of 34 inmates from death row who were put there by a judge overruling a jury’s verdict.

So let us take a look at the history of the death penalty.

“Since 1976, 1,348 people have been executed in the US, but in that time 136 people have been exonerated from death row on the grounds that they categorically could not have committed the crime for which they were sentenced to death. In other words, for every ten people on death row who are executed, at least one person on death row is innocent.” – Dr Bharat Malkani, Birmingham Law School

There is no way back from an execution. Like any of man’s constructs, the death penalty is fallible. Innocent people have been executed throughout history. No amount of compensation can replace a human life.

The Guildford Four were three innocent Irishmen and an Englishwoman found guilty of carrying out the IRA pub bombings in Guildford in England in 1974. As he sentenced them, the judge, Mr Justice Donaldson, lamented the fact that he was unable to impose a death sentence on them as capital punishment had been abolished in England in 1965. He said he would have no hesitation in having them executed. (The judge even asked the home secretary why they weren’t charged with treason as that was the only way he could have them put to death) Imagine how those innocent people felt hearing those chilling words.  The Guildford Four were exonerated and released from prison in 1989. Their story was told in the movie In The Name of the Father starring Daniel Day Lewis.

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Even though the rate of capital and non-capital murder offences increased after the abolition of the death penalty in England, Scotland and Wales in 1965, it’s arguable that those figures would have risen anyway given the more permissive attitudes of the late 1960s and the proliferation of gun use in British criminal circles starting with the headline-grabbing Kray and Richardson gangs.

New forensic methods and tools are becoming available all the time now, things unavailable in the past when death sentences were decided and handed down. Cold cases are being solved, convictions quashed and people are being set free. What future developments will arrive to challenge the evidential certainties of today?

The death sentence happens all over the world with China heading up Amnesty International’s league chart for having the most executions. Iran, Saudi Arabia, Iraq and the United States take up the next four positions.

The death penalty in Western countries has been around for centuries and would appear to have moral backing. The Bible calls for “an eye for an eye” or the law of retaliation. Leviticus 24:20 says: “Fracture for fracture, eye for eye, tooth for tooth; just as he has injured a man, so it shall be inflicted on him.” As Gandhi succinctly put it, “An eye for an eye only ends up making the whole world blind.” BBC Learning interpreted and expanded on this quote: “This famous quote refers to an Old Testament reference regarding the legal penalties for violence. Gandhi rejected violence as a means to change, and only engaged in peaceful ways of protest. A version of this quote was in fact also used by Dr Martin Luther King Jr during the struggle for civil rights and equality in the USA. Both men were proponents of the power of the people and their peaceful methods carried great weight and helped bring about social change.”

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If you wanted to take a pro-Christian view of the death penalty, you could argue that Jesus was an innocent man put to death for nothing. Even Pontius Pilate stated that he could see no wrongdoing on the part of Christ. Nevertheless, the execution went ahead to placate the baying mob, the local elders and to maintain peace in the region. So it is not simply a case of innocence or guilt, the death penalty, as almost happened in the cases of the Birmingham Six and Guildford Four, can be abused as a political tool with sacrificial scapegoats slaughtered because someone wants blood.

Prejudice plays a part in executions too. If a person belongs to a socially-reviled group, race or social class, there probably won’t be a big effort to save them either.

The families of some victims are against the death penalty, some for humanitarian reasons, some because they think execution is a quick, easy escape from what the offender has done to their loved ones. They want them to spend the rest of their lives rotting in prison and contemplating their actions. The execution of the focus of their rage may not bring the closure they hoped for. It can prove anti-climactic when people get what they think they want.

It is very expensive to keep people in prison for decades. And, in countries with huge prison populations like the United States and China, there is chronic overcrowding. So, to use horrific Holocaust economics, the death penalty is cost effective and recycles occupied space. No politician will publicly admit this but these are the decisions being taken in countries with the capital punishment on their statute books.

Whatever heinous act someone has committed, the “life” they are allowed on death row is non-existent. In the United States, death row prisoners can wait many years before their execution, with no hope for the future. They appeal and appeal and appeal and go back and forth to courtrooms endlessly. Depression is common among death row inmates but they are placed on suicide watch to prolong their psychological torture. When all legal options have been exhausted, a date of execution is set. There have even been stories of men sitting in the death chamber getting last-minute reprieves and being taken back to their cells on death row (essentially a mock execution). That is mental cruelty of the highest order. Even worse are the stories of executions going wrong with inmates suffering agonising injuries and/or a slow death. (Saddam Hussein’s half-brother was accidentally decapitated during a botched hanging in Iraq in 2007.)  A state that retains such a barbaric system loses something of itself that it can never recover.

Yes, there are some people who are beyond rehabilitation and will always be a threat to society. The solution is not to put them down like animals. We have surely evolved beyond the sadistic public executions of the Middle Ages.

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© Stewart Stafford, 2016. All rights reserved.

Remembering Freddie Mercury – The King of Queen

freddie-mercury-1974-2It was on this day, November 24th, a quarter of a century ago that the world lost Freddie Mercury. I remember the day well. I’d read in the newspaper (remember them?) in April 1991 that Freddie had a “mystery wasting illness.” It said he’d viewed some properties for sale in London and the owner was told to “be out” when Freddie arrived. He was seen being helped in and out of the car. As soon as I read that, I knew it was AIDS. Still, I thought he had a few years more to live.

On November 23rd, he put out the press release confirming he had AIDS. On Sunday the 24th, I was flicking through the TV channels before going to bed and Sky News were playing the Barcelona video. The newscaster, Scott Chisolm, said: “That’s how he’d want to be remembered.” I thought it was a bit premature to be talking about him in the past tense despite his AIDS diagnosis. Then he read the headline that Freddie had just died. Despite my suspicions, it was still a hell of a shock. I remember just sitting there stunned the next day, the wind howling outside. Queen guitarist Brian May said Freddie’s death was one of the grimmest memories of his life. It was one of mine too. An awful, frightening time. There was no cure for AIDS then and it appeared the virus was going to go on killing people indefinitely. Who would be next?

I was 20 then and Freddie seemed old to me at 45. I’m 45 now and, I can tell you, it isn’t old at all. He was still a young man with a long way to go, but we never get the best for very long. They come out of nowhere, shake up everything and then they’re gone, leaving us to wonder who they really were and where they came from.

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Most rock stars die suddenly without warning; Elvis, John Lennon, Jim Morrison, Jimi Hendrix, etc. Freddie, like his Under Pressure collaborator David Bowie, knew he was dying and had time to prepare for it. There are little hints and clues in the final albums released while he was alive The Miracle and Innuendo.

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His most famous work, Bohemian Rhapsody, was re-released and hit number one again over Christmas 1991 for five weeks (adding to the nine weeks it had spent at number one in the UK over Christmas 1975.) It’s been said that the success of Bohemian Rhapsody gave Freddie the money and fame to embark on the lifestyle that killed him. The song made him, remade him at Live Aid in 1985 and was a fitting epitaph to his career in late 1991.

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How good was Freddie Mercury? He named the band Queen, designed their logo, wrote their first top ten hit and their first number one single. Just look at the originality of Bohemian Rhapsody. There hasn’t been a song like it before or since. That’s why it stands so far apart and above most other contemporary songs. Freddie wasn’t only a genius songwriter, he was a superb pianist, arranger, producer and an unforgettable showman on stage (I was lucky enough to see him on his last tour with Queen at Slane when I was 14). Who else could walk on before a football stadium crowd and command them all effortlessly for two hours? There was that unique voice with the four-octave range. The groundbreaking and hilarious videos Queen made. He even danced with the Royal Ballet company for Christ’s sake. And all this before the age of 45. He crammed a lot of life into his short time on earth. May he rest in peace while conducting the choir eternal.

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I’ll leave the final words to Freddie himself, he said: “I don’t think I’ll make old bones and I don’t care. I’ve lived a full life. I really have done it all and if I’m dead tomorrow I don’t care a damn.”

© Stewart Stafford, 2016. All rights reserved.

Muhammad Ali: The Greatest Legacy?

“I’m not just a boxer!” Muhammad Ali once said. He wasn’t. He was so much more than that. Apart from his fluid, balletic boxing skills in the ring, he was one of the first sportsmen to use psychology to wear down his opponents before a punch had been thrown. He was fighting some of the toughest, hardest-punching men in the world but he cleverly figured out that they had built up their bodies but neglected their minds. So he used words like weapons, chipping away at his rival’s psyche until they were beaten men and didn’t even know it. That tactic certainly worked with the brutish Sonny Liston in the 60s. Just watch the old black-and-white press conferences as Ali fires one verbal missile after another and world champion Liston can’t believe what he’s hearing from this cocky young pup.

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Muhammad Ali was born Cassius Clay. He changed his name for this reason: “Cassius Clay is a slave name. I didn’t choose it and I don’t want it. I am Muhammad Ali, a free name – it means beloved of God – and I insist people use it when people speak to me and of me.” He grew up in a time when black Americans were third-class citizens. He won the Light Heavyweight gold medal at the Rome Olympics in 1960, came back to America, and, when they refused to serve him in a restaurant because of his colour, he went outside and threw his gold medal in the river. Even after becoming Olympic champion for America, no one believed in him. So he believed in himself. He could use words to attack but he could also use words to pump himself up. He called himself The Greatest until he and the world believed it. It gave him the confidence, like a self-fulfilling prophecy, to make his dreams a reality against the tide of begrudgers who wished him ill.

He used words to taunt but he also wrote poems, told jokes and gave speeches to inspire. Some credit Ali with being the first rapper and creating hip-hop music.

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In 1974, Ali had perhaps his most famous fight, The Rumble in The Jungle in Zaire, Africa against George Foreman. Nobody gave the ageing Ali a chance. If you watch the Oscar-winning documentary When We Were Kings, you’ll see the extraordinary mental process Ali engaged in to psych himself up for the fight. He begins at the first press conference asking who thinks he can win the fight. Nobody does and he seems down. Then he goes on the attack against his critics. Then he starts working on himself: “Everybody’s scared…there’s nothing to be scared of!” You can see he doesn’t quite believe what he’s saying yet but he keeps going. He turned to his religion for reassurance: “All I need is a prayer because if that prayer reaches the right man, not only will George Foreman fall, mountains will fall!” Ali refused to watch Foreman training, even when they passed each other in the gym. He blocked out his fear. Then Ali tried a different form of psychology on Foreman, a similar brute to Sonny Liston. Ali was 32 then, his speed had left him and he needed a new tactic. He called it rope-a-dope in which he would go to the ropes and absorb punishment before launching a surprise counterattack when the other fighter was exhausted.

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When fight night came, Ali started throwing right-hand leads at Foreman. As in any battle, doing the thing your opponent least expects usually ends favourably. A right-hand lead has to travel twice as far across the shoulder to land and it’s hugely disrespectful to any fighter especially the champion of the world to catch him with one let alone twelve as Ali did. Foreman, enraged, punched himself out in the blistering African heat and Ali shocked the world by winning back his world title at the past-it age of 32.

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Ali was a political figure too. He became a black Muslim and changed his name, that was a political act. He was involved in the Civil Rights struggle with Malcolm X, that was a political act. And he refused to be drafted into the U.S. Army to go fight in Vietnam, there is no greater political act than that. He said: “Why should they ask me to put on a uniform and go 10,000 miles from home and drop bombs and bullets on brown people while so-called negro people in Louisville are treated like dogs?” Ali was stripped of his titles, boxing licence and was out of the ring for four years in his prime. He didn’t sit around and mope but went on a tour of American colleges to get the young people on his side (and against the war) with his wit, charm and intelligence. Another political act.

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Those four years out of boxing cost Ali huge sums of money. Financial pressure and his enormous pride made Ali continue fighting long past his prime. His last, disgraceful fight came three months before his 39th birthday. An ailing, flabby Ali was easily outclassed and hurt by his old sparring partner Larry Holmes. It was an undignified end to an incredible career.

Then began the next great fight of his life when he was diagnosed with Parkinson’s syndrome and the verbose Ali was replaced with a trembling, whispering giant. He still managed to light the Olympic flame at the 1996 games, a highlight for anyone who remembers it. His condition worsened in recent years until he was unable to speak. For the last 30 years, this has been his frail public image. If any good comes from his death, it will be that all his classic clips will get aired again so today’s youth can see what the man was like in his dazzling pomp.

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Ali had a dark side too. Fellow boxer Joe Frazier helped Ali out financially when he was banned from the ring. Ali later turned on Frazier, ruined his reputation by calling him an Uncle Tom and a bitter feud developed between them.

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It resulted in Frazier breaking Ali’s jaw and knocking him out in their epic Madison Square Garden encounter in 1971 (that resulted in Ali being out of the ring again for a good while). Despite having a white Irish great-grandfather named Abe Grady who’d married a freed slave out of love (not slave rape as Ali conveniently claimed), Ali said some nasty, racist things about white people including: “The white man is The Devil!” He even compared the white race to poisonous snakes. Pretty distasteful stuff but typical of the hardline rhetoric he was absorbing from radicals around him at the time. In 1972, Ali went to Ireland and received a rapturous reception from a then all-white country. Jose Torres, journalist and former world light-heavyweight champion who accompanied Ali to Dublin, said: “I want to tell you something now: I think that it was his experience in Ireland that reminded him of the goodness of white people and he began easing his attacks on the white man after that. It was when he began to take out of his dictionary the talk about the white devils. How could he think bad of white people when every street he walked down in Ireland, he had all these white people loving him?” In 2009, Muhammad Ali journeyed to Ennis in Ireland (below) where his great-grandfather came from and everything came full circle.

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Like Shakespeare’s King Lear, Ali is “a man more sinned against than sinning.” History will be kind to him.

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When Elvis Presley died in 1977, the Soviet news agency Tass granted him American icon status along with Mickey Mouse and Coca Cola. Muhammad Ali has more than earned that status too. So long denied recognition, Ali forced the United States to overcome its prejudices and acknowledge him and his people. That is perhaps his greatest victory and a lasting legacy that will inspire people of every race, colour and creed for generations to come. May he rest in peace.

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© Stewart Stafford, 2016. All rights reserved.

His Name Was Prince

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The world lost the diminutive genius Prince earlier today. He had the moves of James Brown, the guitar virtuosity of Jimi Hendrix (just listen to the incendiary intro to When Doves Cry), the sexually ambiguous look of Little Richard, the songwriting talent of a shed load of Motown writers and the funk credentials of George Clinton and Earth, Wind and Fire.

I saw him in concert when the Diamonds & Pearls tour reached Dublin in the summer of 1992. The show was in the showjumping arena at the Royal Dublin Society (RDS), a place where Hitler’s brother once worked as a waiter (fact). The support acts were Curtis Stigers (remember him?) and Andrew Strong from The Commitments (remember him?). Then it was time for the main event at last.

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The band struck up, the lights came on and the whole thing reached a crescendo, setting the scene for Prince’s arrival. Then right in the middle of the stage, a little glass coffin rose up with his Royal Purpleness within. The crowd went apeshit and the soundwave went through my head. Prince stepped out, this tiny whirling dervish, and the show never stopped moving for the next two hours. “You’re too funky for me, Dublin!” he said at one stage (and we were, he he). It was a truly dazzling gig. One of the best concerts I’ve ever seen and I’m not just saying that to jump on the bandwagon now he’s dead.

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Then there’s all the hits he wrote; When Doves Cry, Kiss, 1999, Batdance (right back at the start of the current superhero craze in 1989), Purple Rain, Raspberry Beret, Sign O’ The Times, Gett Off, Cream, The Most Beautiful Girl In The World and so on. He also created classic hits for other artists including I Feel For You by Chaka Khan, Nothing Compares 2 U by Sinead O’Connor and Manic Monday for The Bangles (written under the pseudonym Christopher).

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His identity was as fluid as his dance moves and image. In dispute with his record company in the early 90s, he became Symbol (above) or T.A.F.K.A.P. (The Artist Formerly Known As Prince) and wrote the word “Slave” across his face.

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Manadatory Credit: Photo by Brian Rasic / Rex Features (396812dh) PRINCE VARIOUS

He owned his own recording studio Paisley Park which was apparently where his body was found earlier today. Prince Rogers Nelson was a true original and there will never be another. It was a privilege to have grown up with his music and it will be there forever now. We never do get the great ones for long, do we? May he funk in peace.

© Stewart Stafford, 2016. All rights reserved.