On June 3rd, 1986, “A Kind Of Magic”, the twelfth studio album from Queen was released. The European Magic Tour supporting the album began four days later at the Rasunda Stadium in Stockholm, Sweden.
It was the first Queen album I’d purchased as a Queen fan, the others being purchased after Live Aid and after this album (by early ’87, I had all Queen’s albums on vinyl and still do.)
With Queen contributing many songs from this album to epic fantasy film Highlander, there was a sort of return to thematic elements of Queen’s early albums minus the quirky, Tolkienesque lyrics about ogres, titans and fairy fellers. This was Queen doing a concept album 80s-style with syths and Highlander’s immortality theme playing into the tragic reality about to engulf Freddie and the band.
Highlander star Christopher Lambert explains how Queen’s involvement grew:
“Highlander coming out was a very exciting time for me. What was also very interesting is that Queen were meant to do only one track – it was the opening credits, ‘Princes Of The Universe’, that was the deal. So they sat down for a private screening for them in a movie theatre and Freddie Mercury when he came out, he said all excited: “I’m doing the whole fucking album! This movie is too fucking great!”. They went and wrote the songs in four weeks and went into the studio and it was one of the biggest selling albums of their career. So you know it’s strange, it’s like nobody ever thought that Highlander was gonna be, thirty years later, still a cult movie, music included. About Freddie… there are many good singers, but to be really great it’s not enough just to sing correctly. You have to do it with the heart and he is the best at it.”
Although it was hard to imagine during Queen’s post-Live Aid second wind, “A Kind of Magic” would be the end of an era for them in many ways. It would be the final album before Freddie’s HIV diagnosis in April 1987 (“Innuendo” would be recorded under time constraints and Freddie’s increasing availability issues due to illness). The Magic Tour would be Freddie’s last with the band.
It was also the last time they worked with German producer Reinhold Mack. Mack first worked with Queen on “The Game” album in 1979 at Musicland Studios in Munich. He had produced some of Queen’s biggest hits including “Crazy Little Thing Called Love”, “Another One Bites The Dust”, “Under Pressure”, “Radio Ga Ga”, “I Want To Break Free” and “One Vision.” Brian May said that Mack had been “quite a find” for the band. He was responsible for a different, stripped-back Queen sound, the antithesis of the elaborate, complex sound of previous Queen producer Roy Thomas Baker. With Baker, Queen played every track in the studio until the take was perfect. Mack said they didn’t have to do that and that he could drop in snippets of different takes. This surprised the band and saved them a lot of time. Mack even persuaded Brian to drop his Red Special and play a Fender Stratocaster belonging to Roger on “Crazy Little Thing Called Love.”
“A Kind of Magic” would also be the last time Queen would do several songs for a movie (here’s hoping the James Bond producers giver Queen + Adam Lambert a shot at the next theme tune).
“A Kind of Magic” is a very listenable album. I can listen to it all the way through unlike some of the late seventies albums which were a smattering of big hits and filler. As with Queen’s concerts on The Magic Tour, the album kicks off with the extended version of “One Vision” which teases out the intro superbly until Freddie’s ethereal vocal cry echoes across the synths just before Brian’s euphoric riff kicks in. “A Kind of Magic” the single follows.
A John Deacon song “One Year of Love is next and it’s the kind of classy, smoky ballad that Sade did so well at the time (saxophone courtesy of the guy who played on “Careless Whisper.”) “Pain Is So Close To Pleasure” is a rare sojourn into Motown stylings for Freddie Mercury (“Cool Cat” on “Hot Space” and B-side “Soul Brother” would probably be the closest tracks to this).
“Friends Will Be Friends” ends side one. Even though it’s a self-conscious attempt to repeat “We Are The Champions” and didn’t make the UK top ten, I still like it as a song.
Brian’s “Who Wants To Live Forever” starts side two and, from here on in, it’s all songs from the Highlander soundtrack. Seal and Ronan Keating said this song made them cry the first time they heard it and it is a very beautiful song with lush orchestral accompaniment. It worked well live on The Magic Tour too, although it was still “a new song” as Freddie said and hadn’t found its place among their other hits with the audience yet.
Brian Blessed’s Vulcan says “who wants to live forever?” in the battle scene near the end of “Flash Gordon,” Queen’s last big fantasy soundtrack outing. It’s possible Brian unconsciously remembered that line from the previous film but it’s a perfect iteration of Highlander’s themes.
Brian’s rip-snorting “Gimme The Prize” erupts with a cascading Brian May solo, it reaches a crescendo and a sound clip from the film Highlander kicks in (a news reporter comments on one of the many decapitated bodies in the film: “A head, which at this time, has no name.” Clancy Brown’s Kurgen responds with “I KNOW HIS NAME!”). “Here I am!” Freddie declares, “I’m the master of your destiny” (one reviewer at the time compared him to Alice Cooper on this).
Roger’s unsurprisingly drum-heavy “Don’t Lose Your Head” pounds in. It began life as the B-side to the single “A Kind of Magic” under the working title “A Dozen Red Roses For My Darling.” Some thought this was filler (black singer Joan Armatrading pops up to say “Don’t Lose Your Head” over and over for no apparent reason, maybe an attempt by the band to counter negative publicity over their Sun City shows in Apartheid-era South Africa around that time.) It does get a little repetitive but I don’t hate it.
Then we come to the final track on the album – “Princes of the Universe.” It’s Freddie’s only solo writing credit on the album (almost hard to believe considering he wrote most of Queen’s early albums single-handedly). The title is outrageously camp but the song builds up an incredible head of steam. With Princes, “One Vision” and “Gimme The Prize”, “A Kind of Magic” is probably the closest version to a heavy metal version of Queen we ever got. The single of “Princes of the Universe” was released in America and the video featured Highlander star Christopher Lambert crossing swords and sawn-off microphone stand with Freddie.
It would be three years before the next Queen album was released, the longest gap there had ever been between albums up to that point. There followed a frenzied period of activity to get new Queen material out before Freddie’s inevitable demise. So “A Kind of Magic” is a demarcation point between what went before and the beginning of the end of Queen Mach 1 (two more would follow with Paul Rodgers and now with Adam Lambert.)
© Stewart Stafford, 2018. All rights reserved.
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